A Curious Oak Tree

This entry is part 2 of 4 in the series Among Fields and Flowers: Seasons with an Edwardian Lady
Country Diary Reflections, Jan 1906 | Among Fields and Flowers: Seasons with an Edwardian Lady ~ Part 2 | A Slowly Unfolding Series

In my first post, Among Fields and Flowers: Reading the Country Diary of an Edwardian Lady, I shared how Edith Holden’s diary has stirred my sense of wonder. By slowing down and pondering her sketches and writings, I am beginning to notice the quiet details tucked in.

As I turn to her January pages, one image stands out: a curious oak tree, rooted in a field near Elmdon Park, uniquely catching Edith’s attention from afar.

Before this solitary oak appears in her diary, January is shaped by a series of quieter notes. The entries dwell on the damp and frosty weather, the comings and goings of birds as well as a curious robin—haunting the neighborhood’s gardens—and the picturesque countryside of flowers and foliage.

I am first greeted with her sketching of Blue and Cole Tit birds. Although I cannot share her sketch with you, I can share this resemblance.

Journal entries describe rain, gales of wind, and hard frosts. Not far from a pond, she saw several Moorhens feeding. I anticipate that Edith had her favorite haunts she returned to time and time again.

In addition to weather and wild life, she was particularly fascinated with foliage.

“Jan. 23…Went for a country walk. Every twig on every tree and bush was outlined in silver tracery against the sky…The mild winter has brought out the Hazel Catkins early, the small green flowers are fully expand: red on some of the catkins, and the pretty little red stars on the female flowers are appearing.”

An entire page was devoted to The Yew Tree, which can live to a great age—some “in this country being recorded up to 1000 years of age. It is supposed to have been planted by the Druids in their sacred groves.”

Yew Tree

Edith often quotes poetry, and for the Yew she included lines from William Wordsworth’s poem of Yew Trees where he described them as “the pride of Lorton Vale,” “stands single in the midst / Of vast circumference and gloom profound,”a living thing / Produced too slowly ever to decay.”

Still my favorite is the curious oak tree. Edith described how from a distance it looked as if “half the tree were dead and the other half covered with glossy green leaves.” Upon closer inspection, she found that the main trunk and two of the main branches were a type of oak tree that is leafless in winter. And “growing out of the crown of the trunk and forming fully half of the tree was an Evergreen or Cork Oak in full foliage. The join in the two trunks was scarcely perceptible.”

A beautiful thing it is to see nature through the eyes of Edith Holden. Before reading these pages, I was not aware of Blue and Cole Tit birds, or of Hazel Catkins, or even a Yew Tree. But I am now the richer for it. And the next time I see an oak, her words about the curious oak tree of Elmdon Park will certainly come to mind.

I stole a peek at her February pages for the next in this series. I am anxious to read of the new foliage and critters she encountered as well as the new places she explored of Solihull and Bentley Heath.

Among Fields & Flowers: Reading The Country Diary of an Edwardian Lady

This entry is part 1 of 4 in the series Among Fields and Flowers: Seasons with an Edwardian Lady
Country Diary Reflections | Among Fields and Flowers: Seasons with an Edwardian Lady ~ Part 1 | A Slowly Unfolding Series

I have been reading a beautiful 1906 nature journal by Edith Holden. The Country Diary of an Edwardian Lady was published in 1977, long after her death—truly a personal work. In this series, I will share my thoughts as I follow the seasons that inspired her art, the poetry she recited, and her quiet observations, along with why this book has become such a peaceful companion to me.

Each month opens like a window into the heart of Edith Holden’s world. The pages are filled with handwritten notes on the day’s weather, snippets of poetry, and careful observations of plants and birds. Her watercolour illustrations and penned thoughts, woven together, make the book feel like paging through a cherished sketchbook.

I have found it best to read only a few pages at a time, allowing her careful observations to sink in. Edith’s noticing of wildflowers, hedgerows, and migrating birds invites me to pay closer attention to the world outside my own window. There is a gentle humility in the way she records what she sees.

“Edwardian” refers to the early 1900s in England, during the reign of King Edward VII. The period evokes genteel manners, fashions, and countryside life.[1]

Edith grew up near Birmingham and was educated at home, where she was taught “to appreciate literature, especially poetry, sketching, painting, and knowledge of nature.” At the age of thirteen, she began her art education at the Birmingham School of Art, where she focused her attention on nature drawing and painting, exploring the countryside around her home. Edith later became an art teacher at the Solihull School for Girls. It was at this time that she began to put together The Country Diary of an Edwardian Lady, “a carefully observed record of the seasons in the countryside around her home which includes poetry and delicate paintings of birds, plants, and insects.[2]

As I have learned more about her background, the diary feels even more intimate, as if I am quietly following her from a distance, sharing in her sense of wonder.

Currently, I am reading Edith’s first winter pages. In my next of this series, I look forward to sharing some of the quiet details that have piqued my sense of wonder of her work and observations.


  1. “Edwardian.” Merriam-Webster.com Dictionary, Merriam-Webster, https://www.merriam-webster.com/dictionary/Edwardian. Accessed 18 May. 2026.
  2. “History.” The Country Diary of an Edwardian Lady, Lilytig Limited, https://countrydiaryofanedwardianlady.com/history/. Accessed 18 May 2026.